Judging from the popularity of the events (attendance has doubled at each new gathreing) this formula for love seems to be working.
The next Lock and Key party takes place Sunday, May 26 from to 3pm at the Santa Barbara Polo & Racquet Club and also launches Darsonvals Meet the Matchmaker series that will be held monthly, when the expert will be on hand to answer questions about dating in Santa Barbara and to connect singles during polo matches.
It has a graphite neck that allows Robar to set Flea's action very low—4/64" on the bass side down to a 3/64" on the treble side—and Flea uses his signature set of GHS Boomers (.045–.105).
Arriving just hours before the shoot, this relic’d Fender Custom Shop Bass is one of two that Flea got while in Memphis.
The drawer below is stocked with a Voodoo Lab brick driving a Robot Pedal Factory Brain Freeze filter, an Electro-Harmonix B9 Organ Machine, ’80s Ibanez AF201 auto filter and BS10 Bass Stack stomps, an Xotic Effects SP Compressor, a Wampler Tumnus, a JHS Firefly Fuzz, and a Boss SP-1 Spectrum parametric EQ.While his pedal platform is still monstrous, Josh has scaled back from three amps to two since the 2012 episode.(They removed the finicky Silvertone head from the equation.) Here sits his main Marshall—a ’70s Major that provides the basis for his tone with an emphasis on low end. (The heads sitting on top are fully-stocked and serviceable backups.) The Marshall is loaded with Celestion 75-watt Creambacks and the Fender has Celestion Vintage 30s. 1 is this Fender Custom Shop Jazz bass built by Jason Smith.A Bright Onion Pedals router enables various effects combinations via a Voodoo Lab Ground Control Pro (right), and a Radial Engineering SGI-44 routes the signal from Klinghoffer’s wireless receiver (not shown) to the board.In addition to the Ground Control Pro, the smaller board features a Line 6 FM4 Filter Modeler, an EHX Cathedral, and an expression pedal.